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Porchlight’s ‘In The Heights’ casting gamble not worth it
By Lauren Quinlan, Chief Critic Graphic by Klaire Brezinski If you have paid attention to the theatre news stratosphere in the past few...
3 min read


Anxiety, Absurdity, and the Postmodernist Millennial: A Bo Burnham Case Study
By Daniella Mazzio, Videographer & Staff Writer Graphic by Daniella Mazzio “Everything is funny, as long as it’s happening to someone...
10 min read


The Gore of 2016
By Emily Witt, Staff-Writer If your stomach isn’t in knots over the impending Doomsday that could be November 8th, 2016, it would be...
8 min read


President is Chosen, Chicago Theatre is Silent
By Trisha Mahoney, Editor-in-Chief Graphic by Klaire Brezinski My Instagram, which is generally a collection of adorable dogs and cats,...
4 min read

Who Tells Your Story?
By Mariah Schultz, Associate Editor Graphic by Danielle Szabo Shakespeare was known as being a man ahead of his times. His mastery of the...
6 min read


Trouble in Mind: Alice Childress’ Endless Echo
By Emily Witt, Staff Writer Graphic by Michael Burke We are a nation obsessed with the idea of easy public consumption. We like our meals...
4 min read


Fresh Theft: Consuming Art
By Yasmin Mitchel, Associate Editor Image Courtesy of Artist, Liz Magor, and Susan Hobbs One phone call. PS: Public Safety. YM: Hi. It’s...
5 min read


The Truth in Possession: Are Weddings Really for Fathers and Daughters?
By Emily Witt, Staff Writer Picture Courtesy of Michael Brosilow The theme of Sarah Ruhl’s Eurydice is possession. An analysis of The...
4 min read
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