Porchlight’s ‘In The Heights’ casting gamble not worth it
By Lauren Quinlan, Chief Critic Graphic by Klaire Brezinski If you have paid attention to the theatre news stratosphere in the past few...
top of page
10 min read
Anxiety, Absurdity, and the Postmodernist Millennial: A Bo Burnham Case Study
By Daniella Mazzio, Videographer & Staff Writer Graphic by Daniella Mazzio “Everything is funny, as long as it’s happening to someone...
8 min read
The Gore of 2016
By Emily Witt, Staff-Writer If your stomach isn’t in knots over the impending Doomsday that could be November 8th, 2016, it would be...
4 min read
President is Chosen, Chicago Theatre is Silent
By Trisha Mahoney, Editor-in-Chief Graphic by Klaire Brezinski My Instagram, which is generally a collection of adorable dogs and cats,...
6 min read
Who Tells Your Story?
By Mariah Schultz, Associate Editor Graphic by Danielle Szabo Shakespeare was known as being a man ahead of his times. His mastery of the...
4 min read
Trouble in Mind: Alice Childress’ Endless Echo
By Emily Witt, Staff Writer Graphic by Michael Burke We are a nation obsessed with the idea of easy public consumption. We like our meals...
5 min read
Fresh Theft: Consuming Art
By Yasmin Mitchel, Associate Editor Image Courtesy of Artist, Liz Magor, and Susan Hobbs One phone call. PS: Public Safety. YM: Hi. It’s...
4 min read
The Truth in Possession: Are Weddings Really for Fathers and Daughters?
By Emily Witt, Staff Writer Picture Courtesy of Michael Brosilow The theme of Sarah Ruhl’s Eurydice is possession. An analysis of The...
bottom of page