ARCHIVE | The Grappler Archive

2 min read

Laura Biagi’s S.A.D Self Love

7 min read

March Review Round-Up: “The Burn,” “Breach,” “Rose,” & “The Wolves”

10 min read

A Director’s Journey (or You’re An Artist of Color) with Mikael Burke

11 min read

Forming the Pack: A Conversation with the Cast and Creative Team of Goodman Theatre’s The Wolves

4 min read

Fleabag: The Anti-Rom Com

5 min read

The Art of Satire, and Those Who Fail to Make It

3 min read

The Aristophanesathon: A Cheeky, Feminist Feast as Means of Refuge in Our Turbulent Times

1 min read

Letter From The Editors

4 min read

Please stop using Donald Trump as your Punchline.

4 min read

The Champion: Ricardo Gamboa, The Wizards, and Hegemonic Gravity

2 min read

Letter from the Editors

4 min read

I Confess... I Am Afraid of the Dark

3 min read

REVIEW: The Debut of Momentary Theatre Begins with the End

4 min read

“Hello, Dolly!” and the Future of the Diva

4 min read

The Grappler Reacts: 2019-2020 Season Announcement at The Theatre School

5 min read

Defending David Mamet

3 min read

Chicago, a flat and lonely terrain

6 min read

Let’s Chat: Interview with Matthew Douglas Carpenter

4 min read

REVIEW: Mr. Kotomoto is Definitely not White

2 min read

Laura Biagi’s S.A.D Self Love

March Review Round-Up: “The Burn,” “Breach,” “Rose,” & “The Wolves”

A Director’s Journey (or You’re An Artist of Color) with Mikael Burke

Forming the Pack: A Conversation with the Cast and Creative Team of Goodman Theatre’s The Wolves

Fleabag: The Anti-Rom Com

The Art of Satire, and Those Who Fail to Make It

The Aristophanesathon: A Cheeky, Feminist Feast as Means of Refuge in Our Turbulent Times

Letter From The Editors

Please stop using Donald Trump as your Punchline.

The Champion: Ricardo Gamboa, The Wizards, and Hegemonic Gravity

Letter from the Editors

I Confess... I Am Afraid of the Dark

REVIEW: The Debut of Momentary Theatre Begins with the End

“Hello, Dolly!” and the Future of the Diva

The Grappler Reacts: 2019-2020 Season Announcement at The Theatre School

Defending David Mamet

Chicago, a flat and lonely terrain

Let’s Chat: Interview with Matthew Douglas Carpenter

REVIEW: Mr. Kotomoto is Definitely not White

Letter from the Editors (Spring 2019)